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PERFORMANCE REPERTOIRE & REQUIREMENTS
This page summarises the official repertoire and performance requirements for PF 2026.
1. Repertoire
#- Free choice of repertoire.
- Own compositions, well-arranged musicals and movie themes / TV series music are accepted.
- Any number of work(s) for Solo Piano, 1 Piano 4 Hands within your booked duration.
- Any number of work(s) for Violin, Viola, Cello or Double Bass within your booked duration.
- Solo and/or with piano accompaniment.
- Works composed with piano accompaniment must be performed together with the pianist.
Repertoire for These Special Awards
#| Awards | Repertoire | Duration |
|---|---|---|
| Bach Concerto Soloist Prize |
1st movement of J.S. Bach A minor Violin Concerto or 1st movement of J.S. Bach E major Violin Concerto Your whole program may include other composers. |
Within your booked duration |
| Chopin / Liszt Award |
One or more piano works from Chopin and/or Liszt must be featured in your overall program. Your whole program may include other composers so long as Chopin/Liszt is included. |
Within your booked duration |
| Churen Prize | Download the commissioned pieces from https://www.smtasingapore.com/9th-performers-festival-pf-award#churen-prize. | |
| Debussy Award |
One or more piano works from Debussy must be featured in your overall program. Your whole program may include other composers so long as Debussy is included. |
Within your booked duration |
| FIMA Scholarship Award (Piano) |
Minimum two contrasting pieces. Total playing time: minimum 8 minutes. |
As stated |
| FIMA Scholarship Award (Strings) |
Minimum two contrasting pieces. Total playing time: minimum 8 minutes. |
As stated |
2. Duration
#- Duration is 10 minutes (your programme can be less than 10 minutes). It can be extended by blocks of 5 minutes (fees apply).
- Performers can perform more than one work within the duration, during which it must include time for breaks in between each work.
- Your booked duration includes: entering, walking, bowing, adjusting seat, tuning, breaks between pieces, fixing & removing your own pedal extender if required, and exiting.
- Performers may be stopped at the adjudicator’s discretion if they exceed their booked duration.
- The duration of each work (including repeats) must be stated on the registration form.
* Please bring your own pedal extender and footstool if needed.
Back to top3. Music Scores
#- Provide one set of ORGINAL scores (no unauthorised photocopies) for the adjudicators on performance day.
- Public domain scores (e.g., IMSLP) or digital sheet music is accepted.
- For own composition / play-by-ear music: provide a clear handwritten score or typeset score.
- Scores must be marked with bar numbers at the start of each line for ease of reference.
- Please write your name on your scores and collect them back before leaving.
4. Memorisation, Repeats
#- Solo Piano participants: must perform from memory.
- Solo String participants: must perform from memory, including concerto movements and unaccompanied works (e.g., J.S. Bach Suites for Solo Cello). Exception: Sonatas for string instrument & piano may be performed with scores.
- PARTICIPANTS WHO PERFORM WITH SCORES (EXCEPT FOR THE EXCEPTIONS) WILL BE AWARDED “CERTIFICATE OF PARTICIPATION” regardless of how well they had performed.
- Repeats are optional. D.C. and D.S. should be adhered.
Optional memorisation & reminders
- 1 Piano 4 Hands participants: need not perform from memory.
- Churen Prize commissioned works: need not perform from memory.
- FIMA piano & string scholarship participants: need not perform from memory.
- Piano accompanists: need not perform from memory.
5. Piano Accompanists
#- String participants must provide their own accompanists if needed.
- SMTA shall not be held responsible if performers engage their accompanists BEFORE the participants’ schedule is announced.
- Only live accompaniment is accepted. Minus-1 recordings / backing tracks are not allowed.
- The quality of the whole performance, including the accompanist’s part, is considered in the adjudication.
- For concerto movements, accompanists may make appropriate cuts in orchestral tutti passages—please indicate clearly on the score.
- At reporting time, submit one copy of the accompaniment score for adjudicators’ reference.
- If there’s ONE copy of original for either the adjudicators or accompanist’s use, the other copy can be a photocopy. Photocopies will be destroyed after use.
- Piano is tuned to A442 Hz (subject to change without prior notice).
6. Entries
#- Participants may enter more than one category.
- Separate applications must be made for different categories.
7. Performance Attire & Etiquette
#- Performance is a visual and aural experience—appropriate attire and etiquette should be practiced.
- Formal wear recommended (e.g., shirt with long pants; dress or skirt; pedal-friendly shoes).
- Attire and etiquette will be taken into consideration in adjudication.
Performers’ Waiting Area
- Each group of performers will be ushered to the waiting/performing area and exit together after the group finishes.
- The adjudicator will give verbal feedback at the end of each group.
- No parents or teachers are allowed at the waiting area.
Masterclasses
#Piano participants selected by the adjudicators will be contacted by the end of Day 3 (Jun 26).
Adjudicators select participants for masterclasses to provide focused, hands-on guidance, helping them refine their performance and elevate their overall musicianship.
Piano Masterclass
- Date: Jun 27, 2026 (Sat)
- Time: TBA
- Venue: Forte Musicademy Recital Hall, 10 Winstedt Road, #03-08, Singapore 227977
- Nearest MRT: Newton Station (Exit B)
- Nearest bus-stop: Opposite Newton Food Centre or before Winstedt Road
String Masterclass
- Date & time: TBC
- Venue: Recital Hall (Level 5), NAFA Campus 3, 151 Bencoolen Street, Singapore 189656
- Piano accompaniment is not compulsory unless the repertoire is a sonata.
- Map: NAFA Campus Map | Virtual Tour: 360 Virtual Tour
- Parking: limited basement parking
Observers’ Pass
#- $20 for family members or public observers.
- Payment via PayNow at the registration counter during the festival.
- Complimentary for participants (as observer or masterclass participant).
- Participants are welcome to attend any sessions regardless of instrument.
String Ensemble Workshop (for String Participants)
#
All solo string performers are required to participate in the String Ensemble Workshop on
Jun 25, 26, 27 & 28, 2026. Please reserve all four dates.
To help facilitate the groupings of participants, participants are required to submit their video recording of the ORCHESTRA EXCERPTS (see below) during their application:
Video Submission Recording info & Guideline
Your Video Submission:
- Please ensure that the applicant’s face and arms are clearly seen in the video recording.
- The video is to be recorded in one continuous take without any kind of editing. Editing of any kind may result in the applicant’s disqualification.
- Upload the applicant’s video as “unlisted” on YouTube. Ensure that the YouTube link is in working order before copying the link into your application form.
Video Submission Recording info & Guideline for String Ensemble Workshop
- There will be a total of three excerpts of varying levels of difficulty for each instrument: Violin, Viola, Cello, and Double Bass.
- One (1) excerpt is designated for the Junior level.
- Two (2) excerpts are designated for the Senior level. (Please refer to the excerpt list below.)
- Applicants are required to select and submit one (1) excerpt only for their video submission.
- The excerpt selected will indicate the applicant’s preferred String Ensemble level. For e.g., an applicant who submits a Junior-level excerpt indicates a preference to join the Junior String Ensemble.
- N.B. The final ensemble placement will be determined by the SMTA Committee after reviewing the submitted video recording.
Excerpt list (download links + metronome + bars)
Junior level
- Loreta Fin – Fruit Salad
- Violin 1 / 2 / 3 / Viola: Beginning to bar 10
- Cello / Double Bass: Bar 11 to bar 18
Metronome: Crotchet = 75
Senior level
- Chris Wilson – Suite for Strings (Rigaudon, last movement)
- Violin 1 / 2 / Viola / Cello: Beginning until before Trio (no repeat)
- Double Bass: Coda
Metronome: Minim = 88–100
- Respighi – Antique Dances and Airs, mvt. IV (Passacaglia)
- Violin 1 / 2 / Viola / Cello: Fig. 14 to first beat of Fig. 15
- Double Bass: Fig. 13 to end of 1st ending
Metronome: Crotchet = 90–112
Follow SMTA: Facebook • Telegram
Back to top1. Repertoire #
- Free choice of repertoire.
- Own compositions, well-arranged musicals and movie themes / TV series music are accepted.
- Any number of work(s) for Solo Piano, 1 Piano 4 Hands within your booked duration.
- Any number of work(s) for Violin, Viola, Cello or Double Bass within your booked duration.
- Solo and/or with piano accompaniment.
- Works composed with piano accompaniment must be performed together with the pianist.
Repertoire for Special Awards
Repertoire for Special Awards #
| Awards | Repertoire | Duration |
|---|---|---|
| Bach Concerto Soloist Prize |
1st movement of J.S. Bach A minor Violin Concerto or 1st movement of J.S. Bach E major Violin Concerto Your whole program may include other composers. |
Within your booked duration |
| Chopin / Liszt Award |
One or more piano works from Chopin and/or Liszt must be featured in your overall program. Your whole program may include other composers so long as Chopin/Liszt is included. |
Within your booked duration |
| Churen Prize | Download the commissioned pieces from www.smtasingapore.com. | |
| Debussy Award |
One or more piano works from Debussy must be featured in your overall program. Your whole program may include other composers so long as Debussy is included. |
Within your booked duration |
| FIMA Scholarship Award (Piano) |
Minimum two contrasting pieces. Total playing time: minimum 8 minutes. |
As stated |
| FIMA Scholarship Award (Strings) |
Minimum two contrasting pieces. Total playing time: minimum 8 minutes. |
As stated |
2. Duration #
- Duration is 10 minutes (your programme can be less than 10 minutes).It can be extended by blocks of 5 minutes (fees apply).
- Performers can perform more than one work within the duration, during which it must include time for breaks in between each work.
- Your booked duration includes: entering, walking, bowing, adjusting seat, tuning, breaks between pieces, fixing & removing your own pedal extender if required, and exiting.
- Performers may be stopped at the adjudicator’s discretion if they exceed their booked duration.
- The duration of each work (including repeats) must be stated on the registration form.
* Please bring your own pedal extender and footstool if needed.
Back to top3. Music Scores #
- Provide one set of original scores (no unauthorised photocopies) for the adjudicators on performance day.
- Public domain scores (e.g., IMSLP) or digital sheet music is accepted.
- For own composition / play-by-ear music: provide a clear handwritten score or typeset score.
- Scores must be marked with bar numbers at the start of each line for ease of reference.
- Please write your name on your scores and collect them back before leaving.
4. Memorisation #
- Solo Piano participants: must perform from memory.
- Solo String participants: must perform from memory, including concerto movements and unaccompanied works (e.g., J.S. Bach Suites for Solo Cello).Exception: Sonatas for string instrument & piano may be performed with scores.
Optional memorisation & reminders
- 1 Piano 4 Hands participants: need not perform from memory.
- Churen Prize commissioned works: need not perform from memory.
- FIMA piano & string scholarship participants: need not perform from memory.
- Piano accompanists: need not perform from memory.
- Repeats are optional. D.C. and D.S. should be adhered.
Participants who perform with scores (except for the stated exceptions) will be awarded a Certificate of Participation.
5. Piano Accompanists #
- String participants must provide their own accompanists if needed.
- SMTA shall not be held responsible if performers engage their accompanists BEFORE the participants’ schedule is announced.
- Only live accompaniment is accepted. Minus-1 recordings / backing tracks are not allowed.
- The quality of the whole performance, including the accompanist’s part, is considered in the adjudication.
- For concerto movements, accompanists may make appropriate cuts in orchestral tutti passages—please indicate clearly on the score.
- At reporting time, submit one copy of the accompaniment score for adjudicators’ reference.
- If there’s ONE copy of original for either the adjudicators or accompanist’s use, the other copy can be a photocopy. Photocopies will be destroyed after use.
- Piano is tuned to A442 Hz (subject to change without prior notice).
6. Entries #
- Participants may enter more than one category.
- Separate applications must be made for different categories.
7. Attire #
- Performance is a visual and aural experience—appropriate attire and etiquette should be practiced.
- Formal wear recommended (e.g., shirt with long pants; dress or skirt; pedal-friendly shoes).
- Attire and etiquette will be taken into consideration in adjudication.
Performers’ Waiting Area
- Each group of performers will be ushered to the waiting/performing area and exit together after the group finishes.
- The adjudicator will give verbal feedback at the end of each group.
- No parents or teachers are allowed at the waiting area.
Masterclass #
Piano participants selected by the adjudicators will be contacted by the end of Day 3 (Jun 26).
Adjudicators select participants for masterclasses to provide focused, hands-on guidance, helping them refine their performance and elevate their overall musicianship.
Piano Masterclass
- Date: Jun 27, 2026 (Sat)
- Time: TBA
- Venue: Forte Musicademy Recital Hall, 10 Winstedt Road, #03-08, Singapore 227977
- Nearest MRT: Newton Station (Exit B)
- Nearest bus-stop: Opposite Newton Food Centre or before Winstedt Road
String Masterclass
- Date & time: TBC
- Venue: Recital Hall (Level 5), NAFA Campus 3, 151 Bencoolen Street, Singapore 189656
- Piano accompaniment is not compulsory unless the repertoire is a sonata.
- Map: NAFA Campus Map | Virtual Tour: 360 Virtual Tour
- Parking: limited basement parking
Observers’ Pass
- $20 for family members or public observers.
- Payment via PayNow at the registration counter during the festival.
- Complimentary for participants (as observer or masterclass participant).
- Participants are welcome to attend any sessions regardless of instrument.
String Ensemble Workshop #
All solo string performers are required to participate in the String Ensemble Workshop on Jun 25, 26, 27 & 28, 2026. Please reserve all four dates.
To help facilitate the groupings of participants, participants are required to submit their video recording of the ORCHESTRA EXCERPTS (see below) during their application:
Video Submission Recording info & Guideline
To help facilitate the groupings of participants, participants are required to submit their video recording of the ORCHESTRA EXCERPTS (see below) during their application:
Your Video Submission:
- Please ensure that the applicant’s face and arms are clearly seen in the video recording.
- The video is to be recorded in one continuous take without any kind of editing. Editing of any kind may result in the applicant’s disqualification.
- Upload the applicant’s video as “unlisted” on YouTube. Ensure that the YouTube link is in working order before copying the link into your application form.
Video Submission Recording info & Guideline for String Ensemble Workshop
- There will be a total of three excerpts of varying levels of difficulty for each instrument: Violin, Viola, Cello, and Double Bass.
- One (1) excerpt is designated for the Junior level.
- Two (2) excerpts are designated for the Senior level. (Please refer to the excerpt list below.)
- Applicants are required to select and submit one (1) excerpt only for their video submission.
- The excerpt selected will indicate the applicant’s preferred String Ensemble level. For e.g., an applicant who submits a Junior-level excerpt indicates a preference to join the Junior String Ensemble.
- Please note that the final ensemble placement will be determined by the SMTA Committee after reviewing the submitted video recording.
Excerpt list (download links + metronome + bars)
Junior level
- Loreta Fin – Fruit Salad
- Violin 1 / 2 / 3 / Viola: Beginning to bar 10
- Cello / Double Bass: Bar 11 to bar 18
Metronome: Crotchet = 75
Senior level
- Chris Wilson – Suite for Strings (Rigaudon, last movement)
- Violin 1 / 2 / Viola / Cello: Beginning until before Trio (no repeat)
- Double Bass: Coda
Metronome: Minim = 88–100
- Respighi – Antique Dances and Airs, mvt. IV (Passacaglia)
- Violin 1 / 2 / Viola / Cello: Fig. 14 to first beat of Fig. 15
- Double Bass: Fig. 13 to end of 1st ending
Metronome: Crotchet = 90–112
Follow SMTA: Facebook • Telegram
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